![]() ![]() This is because Edward and Al’s lives aren’t considered normal in the scope of their world. Full Metal Alchemist spends most of its time following the lives of Edward and Alphons Elric, but it wouldn’t be considered a slice-of-life. ![]() As I said in the intro, every show in existence can be called a slice-of-life. But as a result, I can define what the gist of slice-of-life is.įirst off we need to make some distinctions. Don’t ask me how, not even I know the answer to that. You would think that after my experience I would avoid touching slice-of-life with a 10 foot pole, but actually I ended up watching almost every major slice-of-life on the market. It was really this experience that made me start asking the question, “Why is this a thing?” Why would someone want to watch a show where girls talk about stuff and do silly skits? I should have you know that I went through 17 episodes of Lucky Star before finally realizing this wasn’t the case. This to me was one of the most defining aspects of my naïve view of anime.īut then, before me was a show that didn’t have any character development, any story to speak of, any structure, anything at all! What on earth was this? I assured myself, this was nothing but a very long buildup, and sure enough the plot would arrive, and then the characters and I would all embark on a wonderful ride of protagonists, antagonists, and causal relationships! ![]() Sailor Moon, Cardcaptors, DBZ) were episodic, but there was an overarching narrative attaching each episode, which built a sense of progression and made me want to watch each new episode even more. Sure, many of the famous animes of the late 90s that came to the west (Ex. ![]() The thing that put anime above the western cartoons I grew up to was the fact that they all had a story to them. I found this incredibly odd so odd in fact, that I couldn’t believe it. It’s just events, with no connections tying them together. There is no story that connects episodes together there isn’t even a cohesive story in the each episode. For those who haven’t had the fortune (or misfortune) of watching Lucky Star, it’s a show about high school girls and the things they talk about. You know, I expected the absolute most bare bones definition of what a narrative is. The expectations weren’t that grand I expected a story with goals that drive the characters to develop and grow while they solve the central conflict of the narrative. I watched Lucky Star when I was first getting into anime and came in with all the expectations of a normal show. I feel the best way to get across what slice of life is, is to tell the story of my first experience with a pure slice-of-life anime: a show called Lucky Star. But before we go there, let’s first define, for those unfamiliar, what on earth this slice-of-life thing is. making one in any other genre? What does the slice-of-life genre provide that others don’t? To put it bluntly, why does slice-of-life exist? I want to show that slice-of-life sort-of has a point in existing, but has not had itself fully vindicated as a legitimate genre because it’s potential, still to this day, hasn’t been fully exploited. As a result, I’ve come to ask, and attempt to provide an answer, to the question of why? Not so much why slice-of-life is so big or why it has its set definition, but more importantly, what is the point of making a slice-of-life anime vs. Yet, slice-of-life is a genre any anime goer will not think twice about, for slice-of-life is also one of the largest genres in anime. But by this definition, if a show possesses characters that aren’t dead, the show falls into the category slice-of-life. After all, isn’t it odd that “slice-of-life” is a descriptor of anything at all? Think about it for a moment: the term itself implies something involving people living out their lives. If you’ve watched anime for any significant period of time, you know that the term “slice-of-life” has a very distinct definition. ![]()
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